Friday evening I attended a performance of the Suzanne Farrell Ballet. The first piece was Balanchine's one-act version of "Swan Lake" at the Kennedy Center. I didn't recognize the other pieces on the program, other than that the second and third were also Balanchine's, and the fourth was by Jerome Robbins.
I enjoyed "Swan Lake", though I'm really looking forward to TWB's production with Misty Copeland. The second and third pieces were modern, with atonal music that sounded like the soundtrack to a 1970's detective TV show. Even my girlfriend, who prefers modern to classical ballet, wasn't terribly excited by the piece, though it was technically well-performed.
The fourth and final piece was Robbins's "The Concert". I hadn't had a chance to read the notes on it in the program, so I had no idea what to expect. I soon realized that this was a comedy composed of shorter scenes. All of the scenes were fun and had me and many others laughing out loud. But one scene had me in stitches, because it reminded me of so many dance classes where everyone is going one way except one who is going the other. At the end one dancer has the wrong arms, and slowly corrects it as the others hold their positions. I could hear the voice of one of my instructors saying, "Whatever you're doing, commit to it. Don't look around and second-guess your decision."
I enjoyed "Swan Lake", though I'm really looking forward to TWB's production with Misty Copeland. The second and third pieces were modern, with atonal music that sounded like the soundtrack to a 1970's detective TV show. Even my girlfriend, who prefers modern to classical ballet, wasn't terribly excited by the piece, though it was technically well-performed.
The fourth and final piece was Robbins's "The Concert". I hadn't had a chance to read the notes on it in the program, so I had no idea what to expect. I soon realized that this was a comedy composed of shorter scenes. All of the scenes were fun and had me and many others laughing out loud. But one scene had me in stitches, because it reminded me of so many dance classes where everyone is going one way except one who is going the other. At the end one dancer has the wrong arms, and slowly corrects it as the others hold their positions. I could hear the voice of one of my instructors saying, "Whatever you're doing, commit to it. Don't look around and second-guess your decision."